Old Cemetery on the Hill

On this date . . . the 15th day of November . . . in the year 1877 . . . in San Patricio County, Texas . . . occurs the death of Susanna O'Docharty, who was tall and slender with a shock of red hair . . . this Susanna, along with many of her family members, were laid to rest in the Old Cemetery on the Hill . . . it has been said of her that she accurately predicted her own death . . . the following is a portion of what is referred to as her epitaph . . . it is from a collection of stories handed down through generations by oral tradition . . .

And now I lie with them upon this hill
Mingling with Texas earth as seasons come and go.
Chilling northers bend grasses almost to the ground;
Low-hung clouds are misty blankets
Dropping days of rain upon the earth.

Then wild flowers make sweet the air in spring;
At dawn birds chirp and trill as if to wake us,
But we lie immutable, insensible to summer heat and winter cold . . .
While we lie here a segment of a forgotten colony.




Here I lie beside my own --
A hundred springs have come and gone
Since first I lay upon this lonely hill. . . .

Good-night, good-night

Warm summer sun, shine kindly here;
Warm southern wind, blow softly here;
Green sod above, lie light, lie light-
Good-night, dear heart, good-night, good-night.

These lines were adapted from a poem by Robert Richardson . . . the original can be found in a little book published in 1893 . . . Willow and Wattle . . .


On this date in our extended collateral family history . . . the 19th day of March . . . in the year 1872 . . . Olivea Susan "Susy" Clemens was born in Elmira, New York . . . 



Susy was a daughter of Samuel Clemens . . . who wrote under the pen name Mark Twain . . . and this Susy is a 4th cousin once removed to Josephine Wingfield Henry nee Davis (1842-1899) . . . who is a 2nd great-grandma to the Keeper of this family history blog . . .


According to a letter written by Miss Daisy Warner, Susy Clemens enjoyed strawberries and ice cream and ladyfingers at her 15th birthday party on the 19th of March in 1887 . . . following Susy's death at the age of 24, her father had the words at the top of this page engraved on her tombstone . . .

Willow and Wattle

Warm summer sun, shine kindly here;
Warm southern wind, blow softly here;
Green sod above, lie light, lie light-
Good-night, dear heart, good-night, good-night.

These lines, often attributed to Mark Twain, were actually adapted from an original poem by Robert Richardson. The original was found in a little book published in 1893, Willow and Wattle.

Today I visited yesterday . . .

Today I visited yesterday
And walked among the graves
Of family and friends from long ago
Whose memory had begun to fade.


  The graves were unattended
As were my thoughts of them
When a vision of the ages past
Brought back my sense of kin.

The vision showed the church lawn
On a crisp summer day
The table spread, the food prepared
And friends who would break bread.

  All my relatives were there
both young and old
Grandma and I walked hand and hand
Sharing stories never told.

We laughed and cried
And shared our thoughts
And I found the friend
I thought I'd lost.

As the sun began to fade . . .
The church bell rang out clear
Grandma and the others
slowly disappeared . . .

  Today I visited yesterday
And now the memory is strong
Of the family from which I came . . . and now belong . . .

by Pat Conner Rice

An Arundel Tomb

An Arundel Tomb by dyhecht

These are the tombs of Earl Richard Fitzalan (1306-1376) and Countess Eleanor de Lancaster (1318-1372), who are currently believed to be my 22nd (via Richard) & 23rd (via Alice) & 24th (via Joan) great-grandparents. Today, the 5th day of February, is the anniversary of the day they married . . . in 1345 . . . at Ditton Church in Buckinghamshire, England.



An Arundel Tomb

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would not guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly, they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the glass. A bright
Litter of birdcalls strewed the same
Bone-riddled ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigured them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.
Phillip Larkin